Tuesday, January 25, 2011

Sorry About the Silence

11012101fullmoon72
Full Moon, Hollidge Tract. 8x10 on 9x12 paper, watercolour.
One of the best parts of winter is getting to see the forest at night without the bother of staying up late. It’s dark by 6pm for the months of December and January, and without snow, it is a sad sight to see, but couple moonlight and bright snow and we get scenes of pearlescent beauty.
PS.  The big PS.  Sorry about the silence. We are having some family health issues, and I’m having to revisit my priorities, and things are still not settled. It’s nothing I want to blatt about on the blog, but if you have been a regular reader, if you send me an email I will share the facts in that more private manner. It’s nothing secret, it’s just not blog fodder.  For everyone else, my blogging may be sporadic, and I will not promise to be peaking at everyone’s blogs on a very regular basis. I’m hoping to do so, and will when I can as much as possible, and hope to get back to sociability soon.

Tuesday, January 11, 2011

No Spoilers Here…

11010802rabbit1dtl
Not wanting to post spoilers, here’s a detail from my Year of the Rabbit Print Exchange. If you want the whole bunny, you’ll have to visit the Proof Studio Gallery and other exhibition locations (just follow the rabbit link).
What you see here is relief linocuts pressed into gelatin, followed by hand drawn ‘transfer’. The transfer method is also printmaking, as it involved an inked plate pressed onto paper.
11010804rabbit2dtl
This is a detail from another bunny. The leaves are cut outs of polystyrene foam, the blue-gray flowers are transfers, the orange lattice is glassware (found objects) pressed into the gelatin.  I confess for these pics I really had to bump up the contrast. They need to be viewed in good light, from a short distance and in reality are all a soft dreamy pastel.
I thought I’d post these to give you an idea about the multi-layered process. The I work it, is relatively unpredictable, and I never know where I’m going, which makes printmaking pure adventure.  Like any, sometimes I run into dead ends, and some just keep on continuing. I started out with 6 inked ‘rabbit’ papers using mouldy gelatin (as disgusting as it sounds) and rabbit cut outs as a mask. I worked up 2 to 3 layers and put the project away for Christmas. I brought 4 to the finish line on Friday, just in time to ship them off to the gallery on time.  I still have 2 rabbits I’m working on, and I have no idea what will happen. Maybe magic, maybe mud…
sorry for being a hermit lately, I’ve been busy…

For those that are curious, I've added more of printmaking in my Printmaking Gallery and there are additional 365 Art Card Project images too (should have been my next blog post, maybe later). If you visit, the new ones are down at the bottom until I find time to reorder things.

Okay, gotta run…ink is drying on the plate…

Monday, January 3, 2011

Fun with Meat Trays

11010201spiral72
I finally finished watching a video titled “Foam is Where the Art Is”. I watched it in little segments after supper over the course of several days, and irreverently kept referring to it as “Fun With Foam”. Given that the foam referred to is the soft disposable styrofoam (polystyrene) most commonly encountered as a meat tray (also take-out containers), I started calling it Fun With Meat Trays, especially after washing out the first bloody one (ewwww…). The foam in use here is actually the top of a curry (I think) take-out container that I fished out of the garbage. The circle was dictated by my limited supply and the fact that I just happened to borrow a book on Celtic Art from the library.
The above print is a gelatin print with linocuts as texture, two layers of colour, topped by my double spiral foam plate with sections masked out.  The masked sections (the centre upper and lower) where added in afterwards as monotypes.  Confused? This why sometimes free (as info) is not as good as the stuff you pay for. The video is explains things in ways I never could and honestly well worth cash, but here’s the easy peasy version…
Save up your foam containers (although you can buy in bulk too), slice off any part that is not flat. Doodle on it with a ball point pen. Roll out some ink, ink the foam, press onto paper.
11010202spiral72
White paper, plated inked with pink and yellow with the upper centre & lower design masked out (cut paper), plate pressed by hand, followed by a layer of turquoise ink  (no masking).
11010203spiral72
This one gets complicated. It begins with a circle of black acrylic paint, then pressing several coloured layers of the foam plate, including masking.  The outside of the circle was done by rolling the inked brayer (rubber roller) over the foam plate and then over the paper. The final layer was the hand drawn swirls in turquoise, which were done by inking a thin flexible plastic sheet (sheet protector), laying it on top of the paper and drawing on top of that with a stylus, creating a transfer effect. 
Showing all three monoprints together displays some of the range of expression you can get with using foam, although it’s pretty much unlimited and this is just a tiny sample. 
11010201plate72
Here is the well used plate; I believe it was chicken curry, as it’s marked with a c c in sharpie on the other side. Garbage can be beautiful. Have fun, after all, foam is free so you can’t go wrong.
More circles will be forthcoming. It turns out that used supplies are more difficult to procure than I thought (our in home meat trays yield a maximum 4” x 6” printing plate, twice a week, maybe), and while I would prefer (for moral and environmental reasons) to reuse used trays, it looks like I’ll have to buy wholesale. In the meantime, I bought a pack of 22 disposable polystyrene plates for a whole precious dollar + tax, and will thus will make 22 circular designs, and just see where that takes me.  I think 22 circles will not be too many; there are so many possibilities to explore.
Sources:
Celtic Art, the Methods of Construction by George Bain (still in print).  Unlike other books, it shows you preliminary layouts with guide lines and dots so you can learn to draw these complex patterns from scratch rather than trace or copy. I find the process of construction helps me understand the principles of the design in a deeper way than copying could ever do.  You will likely be seeing more along these lines from me.
Video “Foam is Where the Art Is” by Annette Mitchell. I received mine is part of the Santa printmaking gift package I received in early December, but it’s still available on-line. If you want a very comprehensive look at printing with foam, I recommend it. Quilters, take note: Annette also displays gorgeous art quilts on the website, so wander over and take a gander.
.

LinkWithin

Blog Widget by LinkWithin